Macaulay Culkin – one of the most famous child stars since
Shirley Temple – returns as Kevin McAllister in the 1992 nostalgic and
sentimental slapstick Christmas classic that has not dated since its original release.
As the sequel of the highest grossing comedy of all time, Home Alone 2 is one of the biggest
Christmas films of the 90s. Along with its predecessor, the story is all about
Christmas. While the familiar Christmas vacation is shown as chaotic and
stressful, it is the essential family element that brings us back to the films
main themes of togetherness and (paradoxically) independence.
Becoming separated from his family once again when leaving
for a Christmas holiday, Kevin is left alone to his own devices, this time in
New York City and causes chaos and mayhem when he bumps into the freshly escaped
“Wet Bandits”, who are once again, out to get him.
The original cast return with Culkin in the lead, Joe Pesci
and Daniel Stern as the hilariously dumb, yet slightly endearing criminals with
a heart of coal and the fantastic Catherine O’Hara as the mum every child
wants, played with just the right amount of fear, guilt, determination and love
that is needed. Another noteworthy return is the sequel of gangster spoof Angels with Filthy Souls, Angels with Even Filthier Souls (a
reminiscent construction of Angels with
Dirty Faces with James Cagney.) New characters are brought to life by Tim
Curry, Brenda Fricker, Eddie Bracken, Dana Ivey and a young Rob Schneider.
Film critics such as Roger Ebert gave the film negative
reviews and saw it as portraying violence as too cartoonish. Despite this fact,
the mainstream popularity of the film saw it as a success and to most children
of the 90s, the second instalment in the Home
Alone series is often seen as equal in quality if not better than the
first.
This film has been monumental in my life. I cannot remember
how I first saw it, but I know that thanks to VHS I watched it a million times.
It formed my quintessential idea of New York by using Central Park, Carnegie
Hall and the Plaza Hotel as central plot settings. It is as much a Christmas
film as it is a New York City film and this familiar touristy promotion shows New
York as being a unique “White Christmas” town.
So in the cheery
Christmas words of Johnny the Crook from Angels:
Merry Christmas you filthy animal…and a Happy New Year.